1 From Pitch Names to Syllable Names: Why Singing Needs Another Perspective In the previous article (see: Awakening of Voice · Foundation (I): Pitch Structure and Auditory Stability), I have already introduced a basic fact of the modern vocal system: sound does not exist randomly. Starting from the overtone structure, a certain...

1 Why did I write this article? The purpose of writing this article is not to create a vocal tutorial, nor is it a complete overview of music theory. It is more like a record of my own reflections—attempting to answer a simple yet complex question: What on earth am I listening to? And why do these voices affect me in this way...

1 Why do we think a song sounds good? Sometimes I repeatedly think about a very simple question: Why does a song make people feel it “sounds good”? This “sounding good” is very mysterious—it is not as clear as music theory, nor does it have standards like techniques; you cannot measure a melody like you measure CPU performance...